Asake Becomes First African Artist to Headline Red Bull Symphonic in Brooklyn

Autry Suku

Nov 10, 2025 · 2 min read · 5 views

Nigerian star Asake made global history as the first African artist to lead Red Bull Symphonic, performing with a full orchestra at Brooklyn’s Kings Theatre. The sold-out show featured Wizkid, Gunna, and Central Cee, fusing Afrobeats energy with classical brilliance in a defining moment for African music.

Nigerian Afrobeats sensation Asake made history on Saturday night, becoming the first African artist to headline Red Bull Symphonic, performing alongside a 33-piece orchestra at Brooklyn’s iconic Kings Theatre.

The sold-out concert fused Afrobeats and classical symphony, reimagining Asake’s global hits—including “Lonely at the Top” and “Terminator”—into an electrifying cross-genre performance that captivated fans and critics alike.

New single off the album “M$NEY” otw. pic.twitter.com/QaAkCBhgZ3
— GIRAN REPUBLIC (@giran_republic) November 9, 2025

The event marked a cultural milestone for both African music and Red Bull Symphonic, which has previously featured artists such as Stormzy and Kano in its UK editions.

Backed by the grandeur of live strings, brass, and percussion, Asake transformed his rhythmic soundscapes into cinematic compositions—bridging Lagos street vibes with orchestral sophistication.

Surprise appearances by Wizkid, Gunna, Central Cee, Tiakola, and Fridayy heightened the night’s energy, with standout moments including “MMS” and “Happiness”, performed with full orchestral arrangements. The performance drew praise for its seamless blend of Afrobeats, rap, and classical harmony—showcasing Asake’s versatility and global reach.

During the show, Asake previewed an unreleased track from his upcoming album “Mr. Money”, offering introspective lyrics about faith, perseverance, and resilience. The moment underscored his evolution from breakout hitmaker to one of Africa’s most forward-looking performers, redefining global sound.

Red Bull Symphonic organizers hailed the night as a breakthrough in cultural representation. “Asake’s performance was a bridge between Africa and the world,” said one Red Bull Music executive. “It proves that Afrobeats can live anywhere—from the clubs of Lagos to the grand stages of New York.”